The Red Herring Press, November 2016 (original publication May 2003)
I continue to read the Ellie Foreman books wildly out of order, which is hard on any series where there is ongoing character development and relationships change over time. And I continue to enjoy them immensely anyway. In this one Rachel is still only thirteen, Ellie's ex is still operating largely on resentment and entitlement, and she and David are maybe starting to realize that they have to work on their relationship if they want it to last. Mac, her director, has not yet demanded that she promise never to get involved in anything every again.
So when she sees a picture of an accused murderer in the newspaper, and she realizes that as part of a shoot at the harbor she has a picture of him somewhere other than the site of the murder at the time of the murder, none of the "don't get involved" advice has nearly the strength it gets later in the series. I mean, what could go wrong?
I continue to read the Ellie Foreman books wildly out of order, which is hard on any series where there is ongoing character development and relationships change over time. And I continue to enjoy them immensely anyway. In this one Rachel is still only thirteen, Ellie's ex is still operating largely on resentment and entitlement, and she and David are maybe starting to realize that they have to work on their relationship if they want it to last. Mac, her director, has not yet demanded that she promise never to get involved in anything every again.
So when she sees a picture of an accused murderer in the newspaper, and she realizes that as part of a shoot at the harbor she has a picture of him somewhere other than the site of the murder at the time of the murder, none of the "don't get involved" advice has nearly the strength it gets later in the series. I mean, what could go wrong?









